On "I Need You" and "Hidden Houses," Gahan sounds as though he could be addressing all of his subjects at once. "Hold On" and "A Little Piece" each offer a glimpse into Gahan's reconciliations with a higher power, while "Bitter Apple," "Black and Blue Again," and "Goodbye" shed light on his relationships, both bad and good. As the titles suggest, "Dirty Sticky Floors" and "Bottle Living" are glam-induced snapshots of Gahan's days spent at rock-bottom. While the lyrics on Paper Monsters lack some of the depth and clever irony associated with those of bandmate Martin Gore, Gahan masters innuendo, often hiding the true identities of his subjects. Following Gahan's journey through both physical and mental rehabilitation, Paper Monsters is what many would expect - a collection of material culled from his addictions, failed relationships, and spiritual rebirth. As his addictions worsened, Gahan lost his friends, lost himself, and for a few short minutes, lost his life before paramedics revived him after an all-night drug binge. When Depeche Mode regrouped to record Songs of Faith & Devotion, Gahan had transformed himself into the perennial junkie. By the early '90s, however, Gahan had moved to L.A., gotten hooked on heroin and booze, and immersed himself in the grunge scene. Although the group often flirted with gloomy overtones throughout their career, they maintained a largely squeaky-clean image. Print MediaĬlick on the links below to view the media in more detail.As the lead vocalist for Depeche Mode, Dave Gahan appeared to be far removed from the common trappings of rock & roll stardom. It was followed up by a 75-date world tour out of which one official concert video was produced called Live Monsters. The final result was a 10-track album and three single releases. However, sometime after the recording and touring of Exciter in 2002, Dave got in touch with Sigur Ros producer, Ken Thomas, and together with his friend, session musician Knox Chandler, began seriously working on songs for a new album in Electric Lady Studios in New York. At the time, I was quite hurt by that, and it knocked me back a few years, to be honest." That lasted about three days.and then we had this discussion, and everybody came to the conclusion that the song didn't fit with the theme that the album was heading in. For a moment there I felt like it was going to be on Ultra. I played it to Martin, and I could tell he liked it. I played him, during the Ultra sessions, a rough demo I made, which was basically me tapping my foot, and singing. For example, this is what he said to Daniel Barassi in a radio.wazee interview on February 20, 2003: "I guess the first time I really plucked up enough courage to play something to Martin was a song.called 'Closer'. Dave had indicated as early as 1988 in the interview below that he had always written songs on his own (starting around the 12:01 mark), but just had never had the courage or incentive to put them forth to Depeche Mode.Īfter some time, he had begun to demo his songs to Martin and the rest of Depeche Mode, but was never met with much enthusiasm or the suggestion to include them on Depeche Mode records. This was quite a big deal as even though Dave had been singing with Depeche Mode for over 22 years, all of the lyrics that he sung were written by Martin Gore or other people. Paper Monsters was Dave's breakout album as a solo artist.
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